Open Studio of Alan Thornhill

Open Studio 

Visitors to the Open Studio will experience the original atmosphere, in which Thornhill's art was created. The weekend offers a rare opportunity for art lovers, collectors and curious minds to get a 'behind the scene' view of an artist studio, where accomplished large-scale works stand among small maquettes, drawings and sketches. The visit will provide a true insight into the artist's creative process.

There will be a selection of drawings and small sculptures available for purchase during the Open Studio.
We are excited to be part of the artist's story and to be offering the highlights of the contents of the studio at auction on Thursday, 8 July 2021 at 3pm. 

Lot 201 Self-Portrait in the studio (detail)

Open studio

Viewing Times:
Saturday 26 June, 12pm - 8pm
Sunday 27 June, 12 noon - 6pm


Studio Address:
75 Felsham Road, Putney,
London SW15 1AZ
(nearest tube is Putney Bridge
or East Putney)


Modern & Post-War British Art Part II
The Studio of Alan Thornhill 

The Studio Sale features forty-four lots, including thirty works in terracotta – the artist's favoured medium – three bronzes, nine paintings in oil and a charismatic self-portrait in charcoal. Thornhill's self-portrait showing the artist in the studio opens the sale.

Lot 208 Pygmalion (detail)

Putney Sculpture Trail

Among the highlights are six of his large scale works for the Putney Sculpture Trail, and eleven of his signature portrait heads. The idea for the Sculpture Trail developed from the series of monumental life-sized figurative compositions that evolved from his imagination during the 1970s and 1980s. It features nine monumental bronzes by Alan Thornhill and was opened in 2008. Set by the Thames, the route runs for one and a half miles, from Leaders Gardens to the west of Putney Bridge to Point Pleasant to its east. Six of the original patinated terracottas from which the bronzes were cast are included in the auction; from west to east along the trail these are Load (lot 218, bronze near Thai Square); The Turning Point (lot 217, bronze on the corner of Putney High Street and Putney Bridge Road); Motherfigure (lot 217 bronze at Putney Wharf East; Nexus (lot 209, bronze on the south side of Wandsworth Park); Pygmalion (lot 208, bronze at the East Gate of Wandsworth Park) and Fall (lot 207, bronze at Prospect Quay, Riverside Quarter, Point Pleasant)

Load (lot 218); The Turning Point (lot 217); Motherfigure (lot 216); Nexus (lot 209); Pygmalion (lot 208); Fall (lot 207)

The idea of the trail began with the donation of Load to Wandsworth Council in the late 1980s, which was installed close to Putney Bridge. In 2005, Thornhill offered further sculptures and the idea of a sculpture trail along the banks of the Thames was devised, with primary sponsorship for the project from Western Riverside Environmental Fund and Wandsworth Council. It is now the largest permanent outdoor sculpture collection by one artist in London.  

Thornhill always wanted his work to be viewed with an open and enquiring mind, without preconceptions of either form or meaning. He wrote:

My aspiration has been to achieve in the round objects inviting scrutiny from many angles and removes, challenging and hopefully affecting the viewer. With practice over time the displacement of attention away from the subject adds the complexities sensed as ‘content’ to creep or flow into the work from which the viewer, including the sculptor himself, can obtain an unfathomable degree of mystified satisfaction.
Lot 237 Bond (detail)


Portrait Heads

Thornhill's choice of sitter for his portrait heads was determined by his wide-ranging interests in politics and the arts. Heads of some of the leading and most outspoken figures of the time to be offered in the sale include politician Enoch Powell, poets Hugh MacDiarmid and Basil Bunting, educationalist A.S. Neill, designer Gordon Russell, and trade unionist Frank Cousins

  Lot 202. Enoch Powell (detail)

Explaining his methodology he wrote:

Deliberately devoid of "initial idea" my work is propelled by the process of improvisation. It evolves as an act of faith from an abstract into a figurative or at least an organic statement in accord with my general aspiration: to arrive by an uncharted route at images which strike home.’[he] ‘pioneered a radical and improvisatory approach to clay work that involved dispensing with an internal armature and allowing content to emerge from his unconscious. Abstract pieces of the 1960s developed into large groups of figures. Pacifism, Jungian psychology and world conflicts were themes that emerged organically in his work.'
(The Guardian, 1 May 2020) comments his daughter Anna Thornhill.   


Alan at his studio. 

Thornhill grew up in Fittleworth, West Sussex and was educated at Radley College and New College, Oxford where he read History. During the War he served as an officer in the Gloucestershire Regiment, and took part in the D-Day Landings, but after the bombing of Dresden by the Allies he became a conscientious objector.

After the War, following Reichian therapy in Norway, Thornhill enrolled at Camberwell School of Art where he specialised in ceramics, and then spent a year at Farnham School of Art, further honing his skills in the medium. In 1951 he set up Hawkley Pottery near Stroud and taught at Stroud School of Art. He sold his pots in Heal’s, and was selected for the Council of Industrial Design’s Index of Good Design.

But, as he tired of the repetitive nature of potting, so he explored the purely sculptural possibilities that clay offered, encouraged by friends Lynn Chadwick and Jack Greaves. Then, on being offered a teaching post at Kingston School of Art in 1959 he moved to London, where he set up a new studio in Putney. He later went on to teach sculpture at Morley College and the Frink School of sculpture.

Thornhill had several one-man shows, including at the Drian Gallery, Marble Arch; The National Theatre, South Bank; the Orangery, Holland Park; Putney Exchange; St Catherine’s College, Oxford; Kingscote Park, Gloucestershire and Galerie Jean Camion, Paris. In 2012 there was a major retrospective of his work at the Museum in the Park, Stroud.

You are welcome to watch Anna Thornhill's interview on her father's work: 





 Modern & Post-War British Art Part II: The studio of Alan Thornhill

View Online Catalogue


Get in touch with
Krassi Kuneva, Head of Modern & Post-War British Art
 Madeleine White, Senior Cataloguer and Co-ordinator, Modern & Post-War British Art
for more information on the sale. 

For more information on the works of Alan Thornhill visit