The present print is part of the Thames Suite, a collection of eleven etchings that illustrate Trevelyan's fascination with the river and its dynamic landscapes. "Chiswick" portrays the view from Trevelyan's studio at Durham Wharf, capturing the notable Eyot and St. Nicholas' Church. In 1934, Trevelyan commissioned architect Kit Nicholson (brother of artist Ben Nicholson) to transform Durham Wharf into a combined studio and living space. Subsequently, Trevelyan utilized the studio not only as his workspace but also as a gallery, selling and lending artworks directly from the shop window. Among the artists featured were Max Ernst, Victor Pasmore, and Cecil Collins.

Durham Wharf evolved into a vibrant centre for artists and the local community, hosting events such as Boat Race parties, exhibitions, and open studio sessions. This print encapsulates the tranquil, village-like atmosphere of the area, depicting waterfront houses, and swans gracefully floating on the river's surface.