5th Nov, 2024 10:00

Asian Art I 亞洲藝術 I
 
Lot 401
 

A LARGE KOREAN SIX-PANEL 'ONE HUNDRED BOYS' BAEKJADO FOLDING SCREEN

A LARGE KOREAN SIX-PANEL 'ONE HUNDRED BOYS' BAEKJADO FOLDING SCREEN
Joseon Dynasty, Mid-19th Century

조선, 19세기 중반 백 명의 어린이 병풍

The six-panel folding screen, with inset with a painting depicting the theme of one hundred boys playing in a garden scene, among various pavillions, the first scene with boys leading a deer, the second panel depicting an animal dancing with a fan, the third panel with the boys wrestling, the fourth panel with a cockerel fight, , the fith with the boys climing a plum blossom tree to pick up blossoms and the sixth panel depicting a scholarly figure being attended, the back of the screen with the middle four panels paper-backed and flanked by the further panels which are fabric-backed.

221cm wide x 148cm high

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PROVENANCE:

Property of a Californian Estate

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NOTE:

Please refer to another screen dating to the Joseon Dynasty from the Mary Griggs Burke Collection now housed in the Minneapolis Institute of Arts, collection no. 2015.79.458; another in the Walters Art Museum, collection no. 35.199; for another ten-panel baekjado screen on paper, see Robert Moes, Auspicious Spirits: Korean Folk Paintings and Related Objects, Washington D. C., International Exhibitions Foundation, 1983, no. 14, pp. 56-57 and 186.

This folding screen depicts the legend of the 'One Hundred Boys', featuring children engaged in various activities within palace gardens. The theme originated in China during the Song Dynasty (960–1279) and later spread to Korea and Japan. In the Joseon Dynasty, the theme was rooted in both folklore and Confucian values, passed down through generations. Although there are different versions, the central story typically involves a childless king or nobleman who, through divine intervention or a miraculous event, is blessed with the birth of one hundred sons. The birth of so many sons is seen as a divine gift, symbolizing prosperity for the family and the kingdom. In some versions, each son possesses distinct talents, contributing to the family’s success and fortune. While the tale is regarded as folklore rather than historical fact, it reflects the values and beliefs of the Korean people during the Joseon period. Folding screens featuring this theme were often commissioned by noble families as auspicious decorations, representing their hopes for many descendants and the continuation of their lineage.

Estimated at £2,000 - £4,000

 

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