24th Apr, 2025 11:00

Old Masters & 19th Century Art
 
  Lot 223
 

ALFRED CROWDY LOVETT (BRITISH, 1862-1919)

ALFRED CROWDY LOVETT (BRITISH, 1862-1919)
Aden Camel Corps, circa 1880s
signed 'A C Lovett' (lower right)
watercolour
50 x 35 cm. (19 5/8 x 13 3/4 in.)
(unframed)

Provenance
Private Collection of the artist, left to the family by descent

Lieutenant Colonel Alfred Crowdy Lovett (1862-1919) was a British military artist predominantly known for his watercolours, which captured his travels and the British Army in colonial India. His artworks are valuable historical records of the era and the places he documented. Born and raised in Croydon, London, where he won third prize for an art competition in the iconic British publication, Boys Own Paper, Lovett joined the Gloucestershire Regiment in 1882. His early military career took him to Karachi and Western India between 1883 and 1893. He later participated in a military campaign in Aden before returning to England.

In 1901-1902, Lovett resumed active service and played a prominent role in early World War I campaigns, including those at Mons and Ypres along the French-Belgian border. He was appointed commanding officer of the 1st Gloucestershire Regiment in 1911. During the war, he led his regiment in pivotal battles such as the Aisne and the First Battle of Ypres. Following the wounding of two divisional commanders during the Battle of Gheluvelt, he took charge of the 3rd Brigade. For his distinguished service in 1914, Lovett was made a Companion of the Order of Bath.

His work was celebrated in 1911 when, the book ‘The Armies of India’, painted by Major A.C Lovett, described by Major G. F. MacMunn D.S.O. (Royal Field Artillery), with forward by Field Marshal Earl Roberts V.C, K.G, K.P, O.M, Erc., was published. His illustrations enhanced the book, creating a completely new perspective and insight into Indian history. The Armies of India was arguable well-timed; as European powers competed fiercely for arms and colonies, Britain was determined to maintain its lead. The many regiments, particularly across the Indian subcontinent, offered a striking visual representation of the Empire's power. The diverse uniforms and regalia highlighted the vastness and the varied peoples under the Crown's rule. The army, beyond symbolizing power, also represented glory, and Lovett's illustrations captured this magnificently.

After the war, Lovett commanded the East Lancashire Reserve Division from 1916 until his death in 1919. His paintings gained widespread recognition after his death. He displayed a passion for art throughout his military career, documenting important depictions of military uniforms, equipment and soldiers. His works remain a testimony of the past and have been featured throughout Royal Academy exhibitions.

Sold for £4,788

Includes Buyer's Premium


 

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